Film Classics Horror

Cat People

Director: Jacques Tourneur

DVD (region 1), 1942

349 SEK

Add to cart

Non-stock item - Delivery estimate 7 to 14 days

Shipping Class 1 ?

SWEDEN SHIPPING Shipping Class 1 = 40 SEK
Shipping Class 2 = 60 SEK
Shipping Class 3 = 90 SEK EUROPE SHIPPING Shipping Class 1 = 100 SEK (approx 10 EUR)
Shipping Class 2 = 150 SEK (approx 15 EUR)
Shipping Class 3 = 200 SEK (approx 20 EUR) OUTSIDE EUROPE SHIPPING Shipping Class 1 = 150 SEK (approx 15 USD)
Shipping Class 2 = 200 SEK (approx 20 USD)
Shipping Class 3 = 300 SEK (approx 30 USD)

NOTE: You can buy as many items you want within the same shipping class. Read more » ×

NOTE: This is a region-1 DVD which requires a region free DVD-player.

The first of the horror films producer Val Lewton made for RKO Pictures redefined the genre by leaving its most frightening terrors to its audience’s imagination. Simone Simon stars as a Serbian émigré in Manhattan who believes that, because of an ancient curse, any physical intimacy with the man she loves (Kent Smith) will turn her into a feline predator. Lewton, a consummate producer-auteur who oversaw every aspect of his projects, found an ideal director in Jacques Tourneur, a chiaroscuro stylist adept at keeping viewers off-kilter with startling compositions and psychological innuendo. Together, they eschewed the canned effects of earlier monster movies in favor of shocking with subtle shadows and creative audio cues. One of the studio’s most successful movies of the 1940s, Cat People raised the creature feature to new heights of sophistication and mystery.

SPECIAL FEATURES:
– New, restored 2K digital transfer, with uncompressed monaural soundtrack on the Blu-ray
– Audio commentary from 2005 featuring film historian Gregory Mank, with excerpts from an audio interview with actor Simone Simon
– Val Lewton: The Man in the Shadows, a 2008 feature-length documentary that explores the life and career of the legendary Hollywood producer
– Interview with director Jacques Tourneur from 1977
– New interview with cinematographer John Bailey about the look of the film
– Trailer
– PLUS: An essay by critic Geoffrey O’Brien