Daisy Jones and The Six

‘I LOVE it . . . I can’t remember the last time I read a book that was so fun’ DOLLY ALDERTON

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They were the new icons of rock and roll, fated to burn bright and not fade away.
But on 12 July 1979, it all came crashing down.

There was Daisy, rock and roll force of nature, brilliant songwriter and unapologetic drug addict, the half-feral child who rose to superstardom.

There was Camila, the frontman’s wife, too strong-willed to let the band implode – and all too aware of the electric connection between her husband and Daisy.

There was Karen, ice-cool keyboardist, a ferociously independent woman in a world that wasn’t ready for her.

And there were the men surrounding them: the feuding, egotistical Dunne brothers, the angry guitarist chafing on the sidelines, the drummer binge-drinking on his boat, the bassist trying to start a family amid a hedonistic world tour. They were creative minds striking sparks from each other, ready to go up in flames.

It’s never just about the music…
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‘Brace for 2019’s first pop-culture sensation . . .we’re not exaggerating . . . new obsession, incoming’ TELEGRAPH

‘Utterly believable . . . fantastically enjoyable’ THE TIMES

‘Pitch perfect’ SUNDAY TIMES

‘Reads like an addictive Netflix documentary meets A Star Is Born – despite being utterly fictional. It’s also a call-to-arms that when you find your niche, don’t doubt, embrace it.’ EMERALD STREET

‘The verdict: Daisy Jones steals the limelight… A zeitgeist book for 2019′ STYLIST

‘Well observed, sensitively told . . . a great read. ‘WILL GOMPERTZ, BBC

‘A tremendously engaging, and completely believable tale of rock and roll excess… inventive, persuasive and completely satisfying.’ DYLAN JONES

‘I spent a lost weekend in this book. Daisy Jones is an instant icon.’ ERIN KELLY

‘DAISY JONES & THE SIX is a transporting novel – at once a love story, a glimpse into the combustible inner workings of a rock-and-roll band, and a pitch-perfect recreation of the music scene of the Fleetwood Mac era. You’ll never want it to end.’ CECILIA AHERN