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Frieze, Issue 241 – March 2024

219 SEK
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Insightful, intelligent and exquisitely designed, Frieze is the leading magazine in contemporary art and culture. Frieze profiles emerging artists and highlights new currents in art practice as well as offering a fresh perspective on more established artists. Including exhibition reviews, interviews, city reports and worldwide listings, the magazine is essential reading for anyone interested in visual culture.

In this issue:

In the March issue of friezeJeppe Ugelvig profiles artist Nina Beier, ahead of two major museum shows. Plus, an extensive oral history of Berlin’s legendary Times Bar with contributions from Karen ArcheyDan BodanSkye ChamberlainSimon DennyCalla HenkelLindsay LeonardKen Okiishi and Max Pitegoff.

Profile: Nina Beier
‘Beier is unafraid to admit that she’s a hoarder. She collects widely and indiscriminately.’ Ahead of the artist’s two solo exhibitions at the Kiasma, Helsinki and Museo Tamayo, Mexico City, Jeppe Ugelvig considers the artist’s penchant for critiquing commodity fetishism.

Oral History: Times Bar
‘It was chaos, so you either dipped into it or you didn’t.’ In 2011, the artists Calla HenkelLindsay Lawson and Max Pitegoff opened a small bar in Berlin. It proved to be both a symbol and a catalyst for a rapidly changing city.

Also featuring
Harlem-native artist Nari Ward speaks with long-time friend and collaborator LeRonn P. Brooks about the performance of objects and the devotional spirit they inhabit. Assistant Editor Sean Burns celebrates the influential artist and performer David Hoyle ahead of his homecoming retrospective and residency in Manchester. Lauren Elkin analyses the subversive relationship between gender, textiles and artistic production.

Columns: Outer Depths  
Holly Pester shares a poem from the perspective of an eel, while Ella Finer delves into the sonic frequencies outside of humans’ range. Jonathan Griffin interviews filmmaker Meredith Lackey, and Rob Goyanes examines the uncanny pull of Ahmed Morsi’s fish. Eric Otieno Sumba profiles artist Dominique White, the recipient of the 2022-24 Max Mara Art Prize for Women.

Finally, Philomena Epps responds to a single work by Yoko OnoCalla Henkel and Max Pitegoff contribute to the series of artist ‘to-do’ lists and the latest iteration of our Lonely Arts column.

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