My Life As a Dog
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Shipping Class 3 = 89 SEK EUROPE SHIPPING #1 Shipping Class 1 = 100 SEK
Shipping Class 2 = 150 SEK
Shipping Class 3 = 200 SEK EUROPE SHIPPING #2 Shipping Class 1 = 150 SEK
Shipping Class 2 = 200 SEK
Shipping Class 3 = 250 SEK EUROPE SHIPPING #3 Shipping Class 1 = 150 SEK
Shipping Class 2 = 250 SEK
Shipping Class 3 = 350 SEK OUTSIDE EUROPE SHIPPING Shipping Class 1 = 150 SEK
Shipping Class 2 = 250 SEK
Shipping Class 3 = 350 SEK
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Nominated for two Academy Awards (Best Director and Best Adapted Screenplay), My Life as a Dog has become a perennial arthouse favourite. A bittersweet portrait of growing up in Sweden in the late 1950s, the film continues to speak to audiences more than 30 years after its release.
Based on Reidar Jönsson s autobiographical novel, My Life as a Dog focuses on Ingemar (a remarkable performance from 11-year-old Anton Glanzelius), who is sent to the country to live with his uncle. An escape from his turbulent home life and his terminally ill mother the rural town brings adventure, eccentricity, growing pains, and friendship with tomboy Saga (Melinda Kinnaman).
Directed by Lasse Hallström, the success of My Life as a Dog brought him international recognition. Previously best-known for his collaborations with ABBA, having been responsible for most of their music videos as well as ABBA: The Movie, Hallström would soon pursue a Hollywood career, his later films including What s Eating Gilbert Grape, The Cider House Rules and Hachi: A Dog’s Tale.
Special features:
– High Definition Blu-ray (1080p) and Standard Definition DVD presentations, transferred from original film materials and approved by director Lasse Hallström
– Original 1.0 mono audio
– Optional English subtitles
– Come On Then! (Kom igen, nu’rå!), a 1981 TV film by Hallström about a 35-year-old footballer (played by Swedish pop star Robert Broberg) looking back over his life
– Original theatrical trailer
– Reversible sleeve with original and newly commissioned artwork by Candice Tripp
FIRST PRESSING ONLY: Booklet featuring new writing on the film by Peter Walsh
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