The New Order, Vol.30 (CLIP)

Founded in 2009 by James Oliver, best known for his involvement in launching and developing SLAMXHYPE, a groundbreaking online resource for street culture – At the helm of  The New Order the aim and vision is to progress the evolution and commentary on subculture by drawing on a mantra formulated around a dedication to advancement and originality = True modernism. Within his role as publisher and editorial director for the magazine, James has brought together a host of renowned contributors from all over the globe, while himself being based in Tokyo and working with an established and committed creative team in the Tokyo metropolis.

In this issue:

We are delighted to announce the release of THE NEW ORDER issue 30 (spring 2024), further extending the scope of the magazines global influence. The identity and vision of the bi-annual publication is represented by the diversity of the content curated and insight into talent far and wide.

This version of the latest instalment of THE NEW ORDER features young and hugely talented musician CLIP on the cover. Shot by Kenneth Cappello in New York, the outcome I truly unique and impressive and is solidified with a really insightful interview.

Featured content in this issue:

Other stand out content includes features on Fecal Matter shot in Tokyo by James Oliver, no to mention a think piece with Japanese famed actor Joe Odagiri. Japanese based LIBERAIDERS head to Bangladesh for a comprehensive look into the culture with its own investigative eye providing a unique touch. Algerian based band Tinariwen, up and coming talent Lord Apex, local London figure WU-LU is featured in his full glory. A visit to film maker Van Neistat’s LA home to talk all things life and YouTube. We also catch up with Touching Bass fonder and figurehead Errol rounding off some emphatic musical content. We stop by London based artist Arran Gregory’s fascinating workspace while we also stop by fashion icon Dan Pacitti’s place to explore his collection. Not to mention fashion editorials shot in Tokyo and London.