The Thousand Eyes Of Dr. Mabuse (The Masters of Cinema)
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Shipping Class 3 = 90 SEK EUROPE SHIPPING Shipping Class 1 = 100 SEK (approx 10 EUR)
Shipping Class 2 = 150 SEK (approx 15 EUR)
Shipping Class 3 = 200 SEK (approx 20 EUR) OUTSIDE EUROPE SHIPPING Shipping Class 1 = 150 SEK (approx 15 USD)
Shipping Class 2 = 200 SEK (approx 20 USD)
Shipping Class 3 = 300 SEK (approx 30 USD)
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After enjoying fantastic success with Fritz Lang s two-part “Indian Epic” in 1959, German producer Artur Brauner signed the great director to direct one more film. The result would be the picture that, in closing the saga he began nearly forty years earlier, brought Lang s career full-circle, and would come to represent his final celluloid testament by extension: his final film masterpiece.
The Thousand Eyes of Dr. Mabuse [Die 1000 Augen des Dr. Mabuse] finds that diabolical Weimar name resurfacing in the Cold War era, linked to a new methodology of murder and mayhem. Seances, assassinations, and Nazi-engineered surveillance tech all abound in Lang s paranoid, and ultimate, filmic labyrinth.
One of the great and cherished “last films” in the history of cinema, The Thousand Eyes of Dr. Mabuse provides a stylistic glimpse into the 1960s works on such subjects as sex-crime, youth-culture, and LSD that Lang would unfortunately never come to realise. Nonetheless, Lang s final film remains an explosive, and definitive, closing statement. The Masters of Cinema Series is proud to present Fritz Lang s final film on Blu-ray.
Special features:
• LIMITED EDITION O-CARD SLIPCASE [First Print Run of 2000 copies only]
• 1080p presentation on Blu-ray
• Original German soundtrack
• Optional English audio track, approved by Fritz Lang
• Optional English subtitles
• Feature-length audio commentary by film-scholar and Lang expert David Kalat
• 2002 interview with Wolfgang Preiss
• Alternate ending
• Reversible sleeve featuring newly commissioned and original poster artwork
• PLUS: a collector s booklet featuring a new essay by Philip Kemp; vintage reprints of writing by Lang; an essay by David Cairns; notes by Lotte Eisner on Lang s final, unrealised projects
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