Welcome to Papercut, glad you found us!
Based in the Sweden, we ship worldwide.
So let’s get off to a good start:

Go ahead!
Handpicked books, magazines, films and details
Choose currency
Menu
Search

Aperture, Issue 241 – Utopia

299 SEK
In stock for immediate delivery
SWEDEN SHIPPING Shipping Class 1 = 40 SEK
Shipping Class 2 = 60 SEK
Shipping Class 3 = 90 SEK EUROPE SHIPPING Shipping Class 1 = 100 SEK (approx 10 EUR)
Shipping Class 2 = 150 SEK (approx 15 EUR)
Shipping Class 3 = 200 SEK (approx 20 EUR) OUTSIDE EUROPE SHIPPING Shipping Class 1 = 150 SEK (approx 15 USD)
Shipping Class 2 = 200 SEK (approx 20 USD)
Shipping Class 3 = 300 SEK (approx 30 USD)

NOTE: You can buy as many items you want within the same shipping class. Read more » ×

Aperture magazine was founded in 1952 by a small circle of photographers–Ansel Adams, Minor White, Barbara Morgan and Dorothea Lange–and the photography historians Beaumont and Nancy Newhall. These individuals wished to foster the development and appreciation of the photographic medium, as well as communicate with “serious photographers and creative people everywhere, whether professional, amateur, or student.” Today the magazine maintains the founders’ spirit, presenting a diversity of historical work, photojournalism and portfolios by emerging photographers, thematic articles, as well as interviews with important figures at work today. Aperture has published the work of many iconic and emerging artists including Diane Arbus, Walead Beshty, Shannon Ebner, JH Engström, William Eggleston, Nan Goldin, Paul Graham, Josef Koudelka, Sally Mann, Richard Misrach, Stephen Shore, Sara VanDerBeek and James Welling. The magazine has also showcased leading writers and curators in the field including Vince Aletti, John Berger, Geoffrey Batchen, David Campany, Charlotte Cotton, Geoff Dyer, Mary Panzer, Luc Sante, Abigail Solomon-Godeau, David Levi Strauss, among many others.

In this issue:

If the year 2020 has resembled a disquieting sci-fi plot or a sinister speculative work, this year has also shown us that other ways of living are possible―if the collective will exists. But is it naive to speak of utopia today? In this issue, artists, photographers, and writers envision a world without prisons, document visionary architecture, honor queer space and creativity, and dream of liberty through spiritual self-expression. They show us that utopia is not a far-fetched scheme, or a “no place” (the literal meaning of the word utopia), but rather a way of reconsidering the everyday.

Salamishah Tillet considers Tyler Mitchell’s portraits of Black people resting in open green space, while Sara Knelman shows the liberatory possibilities of feminist collage work of Lorna Simpson, Mickalene Thomas, Sara Cwynar, and Alanna Fields. From Afro-Futurist aesthetics to the eco-idealism of Biosphere 2, “Utopia” issue explores the role of photographs in shaping our future.

 

Close

Sign up for our weekly newsletter and we will keep you updated with inspiration, news and exclusive offers.

This site uses cookies (cookies) to ensure the best user experience. If you continue to use the site, you accept the use of cookies. Read more »

Ok