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Den läsare som första gången stiftar bekantskap med John Ashberys poesi riskerar att få för sig att den är svår, men poeten har gång på gång betonat att det inte finns några dolda betydelse i hans dikter, ”no hidden meanings”, och att de därför inte ropar efter fotnoter eller lärda förklaringar som exempelvis T.S. Eliots diktning. Vad som sker i den är emellertid att Ashbery gång på gång blandar bort korten, att han liksom fintar med en avsikt och ett identifierbart ämne för sin dikt, men att han strax därefter börjar tala om något helt annat. Han sätter helt enkel ett medvetande i rörelse.
Ur Tommy Olofssons förord
Detta urval är en samling tolkningar av fyra olika översättare från åttiotalet och framåt, som engagerat sig i att presentera en av de största amerikanska poeterna för svenska läsare: Tommy Olofsson, Vasilis Papageorgiou, Göran Printz-Påhlson och Ragnar Strömberg.Tolkningarna är hämtade ur ett dussintal diktsamlingar ur Ashberys rika produktion.
John Ashbery (1917-2017), amerikansk poet och konstkritiker, belönad med bland annat både National Book Award och Pulitzerpriset för sin “Självporträtt i en konvex spegel”. Mellan 1974 och 1990 undervisade han vid Brooklyn College i New York och var professor vid Bard College i språk och litteratur mellan 1990 och 2008. Sedan debuten i början av 1950-talet gav han ut ett trettiotal diktsamlingar.
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