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Fantastic Man, Issue 42 – SS26

235 SEK
In stock - Ships within 24 hours
SWEDEN SHIPPING Shipping Class 1 = 49 SEK
Shipping Class 2 = 69 SEK
Shipping Class 3 = 89 SEK EUROPE SHIPPING #1 Shipping Class 1 = 100 SEK
Shipping Class 2 = 150 SEK
Shipping Class 3 = 200 SEK EUROPE SHIPPING #2 Shipping Class 1 = 150 SEK
Shipping Class 2 = 200 SEK
Shipping Class 3 = 250 SEK EUROPE SHIPPING #3 Shipping Class 1 = 150 SEK
Shipping Class 2 = 250 SEK
Shipping Class 3 = 350 SEK OUTSIDE EUROPE SHIPPING Shipping Class 1 = 150 SEK
Shipping Class 2 = 250 SEK
Shipping Class 3 = 350 SEK

NOTE: You can buy as many items you want within the same shipping class. Read more » ×

PLEASE NOTE:
Magazine cover varies and particular cover cannot not be specified for order, but you can state your cover preference in the order notes at checkout and, if available, we will send that one.

According to the bi-annual menswear fashion magazine Fantastic Man life begins at 30. Targeted at a more mature group of readers, Fantastic Man‘s aim is to re-invent the ‘gentleman’s style journal’. Fantastic Man magazine contains, as the name implies, interviews and fashion features with inspiring men and interesting personalities. It features men in clothes rather than models in fashion. Fantastic Man‘s take on fashion is a very personal one, starting with personalities and the way they dress, it maps personal clothing and style.

In this issue:

Newly addicted to the multiple front cover, the Spring/Summer 2026 edition of Fantastic Man presents three contrasting visions of contemporary manhood: ‘the wonderfully handsome’ Dutch football captain Virgil van Dijk, ‘everyone’s favourite actor’ Pedro Pascal, and ‘enigmatic young rapper’ Fakemink. The winning cover will, of course, be Pedro and his bicycle.

All three are interviewed at length inside the issue, alongside artist Arthur Jafa, stylist/filmmaker Aidan Zamari, and actor Tony Leung. Plus a Butt-like meeting with Parisian shoe designer Abra, a chat with fashion influencer Lyas, and plenty of seasonal fashion.

 

 

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