Onda nätters drömmar : November 1942 och andra världskrigets vändpunkt
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Peter Englund är en suverän dirigent, en mästare på mångtydighet
Dagens Nyheter
“Som folkbildning är detta virtuost utfört, som populärvetenskaplig framställning sannolikt unikt, en bedrift i internationell klass. Som litteratur är det en djupt tankeväckande bok, som får läsaren att vända sig inåt, mot sin egen tid. ”
Jens Liljestrand, Expressen
Det är storartad läsning.
Vi
Det är som att hela hans skrivande förlösts Onda nätters drömmar gör honom till en av landets främsta författare, alla kategorier, alla tider.
Sydsvenskan
Englund visar hur kriget förstärker nuet, får det att vibrera Det verkligt stora i Englunds novemberepos är hur författaren lyckas suggerera fram det vardagliga under extraordinära händelser.
Svenska Dagbladet
En lysande påminnelse, i dessa tider, om hur destruktivt krig är på alla plan.
Göteborgs-Posten
Vändpunkt, november 1942. Världen står och väger mellan barbari och civilisation, vad som helst kan hända. Ingen vet att historiens största globala katastrof – andra världskriget – nu är på väg att avgöras. Allra minst de som är mitt uppe i den. Här får vi följa några av dem, hela vägen in i deras allra innersta, under den ödesmättade månaden.
De är 39 högst olika människor. De kommer ifrån Algeriet, Italien, Kina, Sovjetunionen, Japan, Frankrike, USA. De befinner sig i El Alamein, Guadalcanal, Stalingrad, Treblinka. Eller i Paris, Berlin eller någon fredlig småstad ingen hört talas om. De är militärer och civila, från båda sidor: hemmafruar, journalister, krigsfångar, flyktingar, partisaner, sexslavar, soldater, studenter. Och de flesta är unga – åtminstone alldeles för unga för att behöva genomleva ett grymt krig på nära håll.
Genom deras bevarade vittnesmål – brev, dagböcker, memoarer – har Peter Englund skapat en lika laddad som intim berättelse om krigets vändpunkt, skildrad inifrån, nära, och får den därigenom att framträda på ett alldeles nytt vis.
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