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Slanted, Issue 42 – Books

279 SEK
In stock for immediate delivery
SWEDEN SHIPPING Shipping Class 1 = 40 SEK
Shipping Class 2 = 60 SEK
Shipping Class 3 = 90 SEK EUROPE SHIPPING Shipping Class 1 = 100 SEK (approx 10 EUR)
Shipping Class 2 = 150 SEK (approx 15 EUR)
Shipping Class 3 = 200 SEK (approx 20 EUR) OUTSIDE EUROPE SHIPPING Shipping Class 1 = 150 SEK (approx 15 USD)
Shipping Class 2 = 200 SEK (approx 20 USD)
Shipping Class 3 = 300 SEK (approx 30 USD)

NOTE: You can buy as many items you want within the same shipping class. Read more » ×

Slanted started with a Weblog in 2004. The first magazine issue was published 2005.
Slanted is the first German magazine devoted to typography. It takes an interdisciplinary approach, and has been designed to complement the highly- frequented internet blog at www.slanted.de.

The main focus of Slanted is typography found within design, illustration and photography, but a variety of other topics — related both directly and indirectly to the field — are also addressed. The magazine contains expertise analyses and reports, as well as information on typographic experimentation, portraits and interviews with today’s superstars and underground players on the international scene of typography and design. All of this is presented alongside spectacular, first-class graphics and thought-provoking photography.

In this issue:

Slanted #42—BOOKS is a magazine about books. Every day we wonder if the future of the (printed) book is tied to its sensual quality? How can beautiful books secure their place in the media and society? How are content, medium, and form connected? Is manufacturing and design quality, in addition to its functionality, just to be understood as a marketing argument?

In this issue Slanted presents experimental design strategies—books that go unconventional ways—in contrast to classical books. They are looking for accidents, work that is based on mistakes and inaccuracy, cutting edge approaches, as well as new experimental procedures, from processing to ai-generated content. In opposition, they want to present timeless book designs, where content dictates form.

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