Welcome to Papercut, glad you found us!
Based in Sweden, we ship worldwide.
So let’s get off to a good start:

Go ahead!
Choose currency
Menu
Search

The Wire, January/February 2026

235 SEK
In stock - Ships within 24 hours
SWEDEN SHIPPING Shipping Class 1 = 49 SEK
Shipping Class 2 = 69 SEK
Shipping Class 3 = 89 SEK EUROPE SHIPPING #1 Shipping Class 1 = 100 SEK
Shipping Class 2 = 150 SEK
Shipping Class 3 = 200 SEK EUROPE SHIPPING #2 Shipping Class 1 = 150 SEK
Shipping Class 2 = 200 SEK
Shipping Class 3 = 250 SEK EUROPE SHIPPING #3 Shipping Class 1 = 150 SEK
Shipping Class 2 = 250 SEK
Shipping Class 3 = 350 SEK OUTSIDE EUROPE SHIPPING Shipping Class 1 = 150 SEK
Shipping Class 2 = 250 SEK
Shipping Class 3 = 350 SEK

NOTE: You can buy as many items you want within the same shipping class. Read more » ×

A must for any underground music fan, The Wire reports on alternative, underground and non-mainstream musics, ‘waging war on the mundane and the mediocre.’

In this issue:

2025 Rewind: the Year in Underground Music – 50 Releases of the Year: We asked our contributors to vote for their top ten releases of 2025 then added up the votes; Columnists’ Charts: Our specialist critics delve deep into their musical niches from noise to modern composition; 50 Archive Releases of the Year: We asked our contributors to vote for their top ten archive releases of 2025, then added up the votes; Critics’ Reflections: Our writers discuss their memorable cultural experiences of the year; Plus: Style Counsel: Experimental music’s uneasy flirtation with high fashion. By Lucy Thraves; Against the Stream: DIY radio subverts the hierarchies and algorithms of the mega-platforms. By Paul Rekret; Time out of Joint: Old school instruments and ancient wisdom connects past and present. By Daryl Worthington; Arch Rivals: London’s crumbling infrastructure provides a haven for experimentation. By Deborah Nash; Hybrid Vigour: Jazzing up improvisation via beats, noise and rhymes. By Stewart Smith; Extended Play: Drones and duration versus doomscrolling. By Xenia Benivolski.

Hilary Woods: The Irish songwriter’s craft explores trauma and terror. By Leah Kardos; Company: Derek Bailey’s rekindled improvisation meet-up recalled. By Mark Wastell; Tristan Perich: 1-bit electronics hook listeners into the cosmic circuit. By Antonio Poscic; Anna Högberg: The Swedish saxophonist blowing burnout away. By Peter Margasak; Makaya McCraven: Group recordings are reworked to infinity in his kaleidoscopic jazz. By Melvin Gibbs; Carrier: Antwerp beatmaker follows in the footsteps of Torsten Pröfrock with his technoid breakbeat constructions. By Christian Eede; Hypomanic Daydream: Marie McAuliffe’s creations gene-splice Rock In Opposition, video games and heavy metal. By Kek-w; Erwan Keravec: The Breton piper brings global and experimental approaches to trad sounds. By Francis Gooding.

Invisible Jukebox: Ikonika: Will the London beatmaker get all mixed up with The Wire’s mystery record selection? By April Clare Welsh; Global Ear: Chicago’s jazz and blues scene stands tall in the face of racist immigration raids. By Howard Mandel; Unlimited Editions: Warm Winters Ltd: By Antonio Poscic; The Inner Sleeve: Tony Herrington on Here & Now/Alternative TV’s What You See… Is What You AreAgainst The Grain: MayDay Rooms’ anarcho-punk archive disinterred by Chumbawumba vocalist. By Seth Wheeler; Epiphanies: Cosey Fanni Tutti reflects on a life in art.

Plus 40 pages of reviews including: Juana Molina: Who’s laughing now? By Phil Freeman; Jean-Paul Guionnet: Essential 21st century saxophony. By Seymour Wright; Tiger Milk: 1980s feminism rebottled. By Louise Gray; The Bottle Tapes: Chicago’s jazz/improv scene celebrated. By Bill Meyer, and much more.

Close

Related products

Sign up for our weekly newsletter and we will keep you updated with inspiration, news and exclusive offers.

This site uses cookies (cookies) to ensure the best user experience. If you continue to use the site, you accept the use of cookies. Read more »

Ok