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Viscose, Issue 9: Japan

425 SEK
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Release date: November 30, 2026
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Viscose is the world’s most exciting journal for fashion criticism. Through specially edited thematic issues, each of which re-imagines the format of the journal entirely, Viscose gives space to genre-defying thinking that challenges and expands the possibilities of research, practice, and critique in/of fashion. In record time, the journal has cultivated a niche audience around the globe with stockists in over 15 countries, addressing intellectual fashion communities anywhere while rejecting ghettoization in any discipline, industry, or location. By collaborating with institutions and museums to cultivate research, Viscose is and remains proudly advertising-free.

In this issue:

Co-edited by Tenko Nakajima & Jeppe Ugelvig. 

The ninth issue of Viscose investigates a single context of fashion production: Japan. Rather than approaching our topic as a delineated geography, we are interested in exploring Japanese fashion industries, systems, and knowledges in their full transnational capacity and potential. With a particular focus on the 1990s as a starting point, our inquiry moves outward—through professional networks, friendships, and archives—to much earlier periods, as well as to the present.

In making this issue, our instinct was to uncover the lesser-known, deeply social histories of Japanese fashion. In doing so, we ultimately hope to challenge our readers’ assumptions about what qualifies (as) “Japan”—as an idea, a place, a network, and an image—at all.

Contributors: 
Nakako Hayashi, Taquehal Hirakawa, Stella Ishii, Jeppe Ugelvig, Alex Esculapio, Christopher Nemeth, Yoshikatsu Yamato, Ana Howe Bukowski, Christian Alborz Oldham & Davora Lindner, Sen Isozumi, Eilidh Duffy, Matthew Linde, Hanayo, Jun Takahashi, Tenko Nakajima, Wataru Tominaga, Juje Hsiung, Danielle Neu, Mended Veil, Kosuke Tsumura, COSMIC WONDER, Miriam Silverberg.

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